
I counted!) no more additional mapping necessary. Virtual DJ is known for having one of the largest, if not the largest, list of officially compatible controllers that work straight out of the box (210 at the moment.

You’ll need to use your trackpad anyway if you want to explore all the extra editor features that Virtual DJ 8 has (more on that later in this article). There are some tabs and drop-down menus to navigate, so you’re definitely going to want to use a trackpad to go through them unless you’ve got a robust controller. With that said, if you thought the screen was cramped before, you might find it even more cramped still now: Your effects and hot cues now reside on either edge of the screen, and while this makes the area around the decks a lot cleaner, the overall interface just looks a bit busy, not to mention the extra windows at the bottom half of the screen where your songs are listed. It just looks so good and everything’s so much easier to read! Virtual DJ 8 on a Retina display looks absolutely crisp, however it still tends to look cramped if you’ve got a lot of zones open in your Browser. Once you’ve seen just how sharp everything looks, you’ll wonder why NI and Serato still haven’t implemented this in their software.
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The first thing that struck me when I fired up Virtual DJ 8 was how crisp the interface looked: I believe this is the first DJ app to support for Retina/high DPI displays (I’m on a Macbook Pro with Retina display), and there is an incredibly huge difference in how clear everything looks compared to when I use the latest versions of Traktor and Serato DJ on my computer.

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And while fans argued that the look could easily be remedied by downloading user-created skins, should you really have to, detractors asked? Virtual DJ 8 is the first DJ software to include compatibility with high resolution displays like Apple’s Retina, bringing a much needed overhaul to its graphical user interface which nonetheless will be instantly familiar to previous users of the software. The graphical user interface has, until now, been a point of contention for some DJs: It was cramped, didn’t scale properly and was starting to look frankly a bit dated.

Historically, Virtual DJ has taken flack because some DJs don’t consider it to be “professional” software for performance, which could be a result of Atomix having initially produced software that today would appear very simple, or that it has given away millions of copies of the free version making it many people’s first stepping stone in DJ software, or maybe even just the name (“Virtual DJ” implies the opposite of “real DJ”, after all).
